quotations 5

There is much talk of a design in the arras. Some are certain they see it. Some see what they have been told to see. Some remember that they saw it once but have lost it. Some are strengthened by seeing a pattern wherein the oppressed and exploited of the earth are gradually emerging from their bondage. Some find strength in the conviction that there is nothing to see. Some…

Thornton Wilder

Then he walked down Broadway with his hands in his overcoat pockets, wearing a smile which embraced all the stream of life that passed him and the lighted towers that rose into the limpid blue of the evening sky. If the singer, going home exhausted in her cab, was wondering what was the good of it all, that smile, could she have seen it, would have answered her. It is the only commensurate answer.

Willa Cather

He’s always first. When the end of night approaches, silence is broken by the one off key. The one off key, the bird who never tires, awakens the master singers. And before first light, all the birds in the world begin their serenade at the window, sailing over the flowers, over their reflections.

A few sing for love of the art. Others broadcast news or recount gossip or tell jokes or give speeches or proclaim delight. But all of them, artists, reporters, gossips, wags, cranks and crazies, join in a single orchestral overture.

Do birds announce the morning? Or, by singing, do they create it?

Eduardo Galeano

announcing the morning

Posted in birds, literature, quotations | Tagged , , | Leave a comment

2 versions of 1 song

I’ve just put a version of my song Wishing Well on youtube and I thought I’d link to it here because that’s the sort of thing you’re supposed to do. I know there’s a lot more other stuff that I’m supposed to do as well, but one step at a time – that’s my motto.

The music was recorded at my place shortly after taking some footage at a gig where we couldn’t get decent sound recordings. That was about 3 years ago. It’s been sitting around and now I’ve finally done something with it. Instead of the gig footage which I formerly used before in my video for Children Of The Sea this is some seaside variations.

Wishing Well was written in 2009 and not longer after I recorded a demo version which I put on youtube with a more complicated video than the one above. This isn’t anything that special but I’m not sure I’d have the energy any more to do the editing that I did for it.

Finally I’d just like to say that the next film version will be a full length feature film. This is the cast we have lined up :-

Wishing Well – Max von Sydow
Shell – Tiny Tim
Quercus Robur – John Wayne
Ripples – The Flying Foxes
Solveig – Milena Vukotic

Posted in music, trees, wells | Tagged , , , , , | Leave a comment

Midsummer Madness

2206posterweb

Poster image by Frank Paul. I reduced the luridness of the colours mainly in an attempt to save on printer toner.

Posted in gigs, music | Tagged , , , , , | Leave a comment

Micromuseum 10

Another book addition to the micromuseum catalogue. This one dates from 1977 and is a beguiling publication. I had this book lying around (on top of a fender twin reverb to be precise) because I was going to do this post about it and a friend was round and she kept being drawn to it. It’s a poem illustrated with artwork. The poem is quite long and is by Wallace Stevens. Its inspiration was Picasso‘s painting vieux guitariste aveugle. Stevens’ poem is called The Man With The Blue Guitar and Hockney’s etchings are entitiled The Blue Guitar. The project was devised by Hockney in the summer of 1976 while he was on holiday on Fire Island, New York.

To give some sort of notion of the book I have selected a few random clips of verse and scanned 3 of the illustrations. The concept of a great poem illustrated by great art is a strong one. There are probably some other books like that around, I will investigate, but if there are I can’t imagine that any could be better than this. I’ll let you know.

Things as they are have been destroyed
Have I? Am I a man that is dead

At a table at which the food is cold?
Is my thought a memory, not alive?

hockney01

Slowly the ivy on the stones
Becomes the stones. Women become

The cities, children become the fields
And men in waves become the sea.

hockney02

Dew-dapper clapper-traps, blazing
From crusty stacks above machines.

Ecce, Oxidia is the seed
Dropped out of this amber-ember pod,

Oxidia is the soot of fire,
Oxidia is Olympia.

hockney03

Finally, these are the last words of the book.

Type set in 11pt. Electra Linotype
Printed in England on Abbey Mills laid paper by the Scolar Press
Published by Petersburg Press, London and New York

Posted in fire, literature, may, micromuseum, quotations, sea | Tagged , , , , , | Leave a comment

Jazz Quotations 3

This is the 3rd in my series of jazz quotations drawn from the Downbeat archive. My choices are commentaries and also reflect my own life and concerns.

Please do not misunderstand me. I do not claim any of the creation of the blues, although I have written many of them even before Mr. Handy had any blues published. I had heard them when I was knee-high to a duck. For instance, when I first started going to school, at different times I would visit some of my relatives per permission, in the Garden district. I used to hear a few of the following blues players, who could play nothing else-Buddie Canter, Josky Adams, Game Kid, Frank Richards, Sam Henry, and many more too numerous to mention-they were what we call “ragmen” in New Orleans. They can take a 10¢ Xmas horn, take the wooden mouthpiece off, having only the metal for mouthpiece, and play more blues with that instrument than any trumpeter I had ever met through the country imitating the New Orleans trumpeters.

Jelly Roll Morton

I took a job playing in a tonk for Dago Tony on Perdido and Franklin street and Louis used to slip in there and get on the music stand behind the piano. He would fool around with my cornet every chance he got. I showed him just how to hold it and place it to his mouth, and he did so, and it wasn’t long before he began getting a good tone out of my horn. Then I began showing him just how to start the blues, and little by little he began to understand.

Now here is the year Louis started. It was in the latter part of 1911 as close as I can think. Louis was about 11 years old. Now I’ve said a lot about my boy Louis and just how he started playing cornet. He started playing it by head.

Willie Bunk Johnson

A hundred people would crowd into one seven-room flat until the walls bulged. Plenty of food with hot maws (pickled pig bladders) and chitt’lins with vinegar, beer, and gin, and when we played the shouts everybody danced.

Willie The Lion

What attracted Bird to Gil was Gil’s musical attitude. How would I describe that attitude? ‘Proving’ is the most accurate word I can think of.

Gerry Mulligan

When Bird did hear my music, he liked it very much. Unfortunately, by the time he was ready to use me, I wasn’t ready to write for him. I was going through another period of learning by then. As it turned out, Miles, who was playing with Bird then, was attracted to me and my music. He did what Charlie might have done if at that time Charlie had been ready to use himself as a voice, as part of an overall picture, instead of a straight soloist.

I remember that original Miles band during the two weeks we played at the Royal Roost. There was a sign outside-’Arrangements by Gerry Mulligan, Gil Evans, and John Lewis.’ Miles had it put in front; no one before had ever done that, given credit that way to arrangers.

Gil Evans

Posted in jazz, music, quotations | Tagged , , , , , , , , , , , , , | Leave a comment

may gig n

where n is a number

May11gig

also this month I will be playing with Rosie at Wild at Heart, Broad Street, Bristol on 17th; somewhere in Queen’s Square, Bristol on 18th – more details of that later.

Posted in gigs, may, music | Tagged , , , , , | Leave a comment

Charlus

To go back, now, to the remaining events of the year 1719.

The Marquise de Charlus, sister of Mezieres, and mother of the Marquis de
Levi, who has since become a duke and a peer, died rich and old.  She was
the exact picture of an “old clothes” woman and was thus subject to many
insults from those who did not know her, which she by no means relished.
To relieve a little the seriousness of these memoirs, I will here relate
an amusing adventure of which she was heroine.

She was very avaricious, and a great gambler.  She would have passed the
night up to her knees in water in order to play.  Heavy gambling at
lansquenet was carried on at Paris in the evening, at Madame la Princesse
de Conti’s.  Madame de Charlus supped there one Friday, between the
games, much company being present.  She was no better clad than at other
times, and wore a head-dress, in vogue at that day, called commode, not
fastened, but put on or taken off like a wig or a night-cap.  It was
fashionable, then, to wear these headdresses very high.

Madame de Charlus was near the Archbishop of Rheims, Le Tellier.  She
took a boiled egg, that she cracked, and in reaching for some salt, set
her head dress on fire, at a candle near, without perceiving it. The
Archbishop, who saw her all in flames, seized the head-dress and flung it
upon the ground.  Madame de Charlus, in her surprise, and indignant at
seeing her self thus uncovered, without knowing why, threw her egg in the
Archbishop’s face, and made him a fine mess.

Nothing but laughter was heard; and all the company were in convulsions
of mirth at the grey, dirty, and hoary head of Madame de Charlus, and the
Archbishop’s omelette; above all, at the fury and abuse of Madame de
Charlus, who thought she had been affronted, and who was a long time
before she would understand the cause, irritated at finding herself thus
treated before everybody.  The head-dress was burnt, Madame la Princesse
de Conti gave her another, but before it was on her head everybody had
time to contemplate her charms, and she to grow in fury.

Saint-Simon Memoirs

Posted in fire, literature, quotations | Tagged , , , , , , | Leave a comment

Rosalind Moreno-Parra

Here are some tracks Rosie and I recorded at Ruby Studios recently. Let me know if you want to pay us to do a gig for you.

Posted in music | Tagged , | Comments Off

True V Eye

Here’s the artwork for the new album in case you buy it from Itunes.

trueveye

click here for the inside cover

Posted in music | Tagged , , | 1 Comment

Granite Mix 7

and now a granite mix that deals with my own work. this is my unveiling on this website of my new album which is called true v eye and will imminently be available on itunes and as a hard copy at my amazon store – see the buy stuff page for links. there are only 2 of the tracks from the new album featured on the mix along with a selection from other albums and some obscure places.

the music speaks for itself but it would be churlish not to write a bit about these tracks so here goes. desert ghost dance has nursery rhyme style dialogue and therefore acts as a pair with track 6. a famous german 20th century artist is referenced in the last verse. perplex is a pair with it too because it is also a dialogue of sorts. then there’s suspense which also hovers between heaven and earth, as do, for that matter the children of the sea. domes however merely fly beneath the starlit sky. i’ve already mentioned in my jar – a famous 20th century british writer is referenced in the 3rd verse.

my video for happy song is a shoddy affair but has a certain innocent sweetness in its demeanour which i hope makes up for that.

the track that i’ve called chasing the sun dates to a period when I was using a sampler to create the basics of my music. everything was a home recording and nothing was ever that well-finished but i’ve got a lot of interesting things that may never show the light of day. this one’s made it through though – for a while at least. It contains a sample from a track by sun ra called disco 2100. in the train was recorded in about 1982. at the recording session for the new album i re-recorded this track and my plan is to release both versions on some vinyl later this year. this is a re-mastered version of the 1982 track.

the words for v’nosnu are almost all from primo levi’s magnificent novel if not now when (english translation i’m afraid – an italian version would be good or maybe even a yiddish one). i’d just like to point out though that there is some art to it all the same – though mostly inspiration. in my book inspiration trumps artfulness. a cherry tree aka the cherry tree was somehow inspired and inter-connected with the music of the last track of the mix. I was still at school when I wrote the words which aren’t used in the music but which are

I planted a cherry tree
I watered it every day
in the summer I sat in its shade
one day a cherry appeared on my tree
one day a cherry appeared on my tree
it is for this that we live
it is for this that we live

here’s the mix

and here’s a link so you can download the mp3

ca

Granite Mix 7
Artist Title Album
Neureille Desert Ghost Dance True V Eye
Neureille Perplex Amanogawa
Dry Rib Suspense Whose Last Trickle
Neureille Children Of The Sea Disparue
Robert Vasey Domes Unreleased
Neureille In My Jar Amanogawa
Neureille happy song (for dependable person) Disparue
Robert Vasey Chasing The Sun unreleased
as,hem,syrup In The Train Whose Last Trickle (remastered)
Neureille V’Nosnu True V Eye
Robert Vasey A Cherry Tree Unreleased
Posted in geology, mixes, music, nonsense, sea | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment